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Blogging,Blogger,Networking,Food, Travel,Fashion,Music,Cooking,Gardening.Profession:Theologian,Herbalist',lawyer, 35years as Medical Laboratory Technologist in fields of Medical,Pharmacy,Biotechology and Food Sience. Very simple,happy go lucky person and very enthusiatic in betterment of human welfare. Overall inwardly very independent in MY LIVING AND MY THINKING and very articulate about miscarriage of social justice.

煮豆持作羹,漉豉以為汁。萁在釜下燃,豆在釜中泣。本是同根生,相煎何太急。

i got the world (in my hands) Pictures, Images and Photos Photobucket =============================================== 想法开放是和平希望

Video1=Grant Me The China Heart. Video2=I Love You China 我爱你中国 - Performed by Heidi Fielding, soprano, during the Los Angeles Chinese Musicians Ensemble Chorus 2007 China Concert Tour. Heidi is also an active member of the Camerata of Los Angeles Chorus and Orchestra (Directed by Dr. H. Vincent Mitzelfelt). Video 3=Seven Step Poem In The Three Kingdom七步詩—(曹植) 煮豆持1作羹,漉豉以為汁。萁在釜下燃,豆在釜中泣。本是同根生,相煎何太急。 "Romance of the Three Kingdoms三国演义"-七步诗 figuratively portrays the disagreement between Mainland China and Taiwan! Cao Zhi (Chinese: 曹植192 -- 232) was a Chinese poet during the late Eastern Han Dynasty and Three Kingdoms period. His poetry style, greatly revered during the Jin Dynasty and Southern and Northern Dynasties, came to be known as the jian'an style. Cao Zhi was also the son of the powerful warlord Cao Cao. Together with his elder brother Cao Pi, they were the strongest contestants for their father's position. Cao Pi eventually succeeded Cao Cao in 220 and within a year declared himself the first emperor of the Kingdom of Wei. Like many powerful families, tension among brothers was high. In his later life, Cao Zhi was not allowed to meddle in politics, despite his many petitions to seek office. After the death of Cao Cao, Cao Zhi failed to turn up for the funeral. Men sent by Cao Pi found Cao Zhi drunk in his own house. Cao Zhi was then bound and brought to Cao Pi. When Empress Bian, their common birth mother, heard of this, she went to Cao Pi and pled for the life of her younger son. Cao Pi agreed. However, Cao Pi's Chief Secretariat (相国) Hua Xin then convinced him to put Cao Zhi's literary talent to a test. If Cao Zhi failed the test, it would be excuse enough to put him to death, Hua Xin suggested. Cao Pi agreed and held audience with Cao Zhi, who in great trepidation bowed low and confessed his faults. On the wall there was a painting of two oxes fighting, and one of them was falling into a well. Cao Pi then told his brother to make a poem based on the painting within seven paces. However, the poem was not to contain explicit reference to the subjects of the drawing. Cao Zhi took seven paces as instructed, and the poem was already formulated in his heart. He then recited: They were boiling beans with fire by buring the beanstalk , There came the weeping from the pot. 煮豆燃豆萁,豆在釜中泣。 "O why, since we sprang from the selfsame root and selfsame stalk. Should you kill me with anger hot?" 本是同根生,相煎何太急! Reconstruct by MICAHELSNE from original Translation by C. H. Brewitt-Taylor Having heard this, Cao Pi was moved to tears. He then let his brother go after merely degrading the peerage of the latter as a punishment. This video should remind Mainland China and Taiwan:Not to commit the sin like CAIN-ABEL tragedy, we have to learn from history even within each idividual family,ALL BASICALLY BECAUSE OF MONEY(prosperity)! What is that each one to sacrife some previleges and liberty? If one's brother is blessed rather than fight with him for "whatever equality"?! zhǔ dòu rán dòu qí 煮 豆 燃 豆 萁 //,lù chǐ yǐ wéi zhī 漉 豉 以 为 汁 。// qí zài fǔ xià rán萁 在 釜 下 燃 ,// dòu zài fù zhōng qì豆 在 釜 中 泣 。// běn shì tóng gēn shēng本 是 同 根 生 ,// xiāng jiān hé tài jí相 煎 何 太 急 。// 作者背景 曹植(192-232),字子建,曹操第四子,沛国谯(今安徽亳县)人,著名诗人。少年时就很有才华,得到曹操的喜爱,因此受到他的哥哥曹丕的猜忌,后来郁郁而死。他的诗语言精练,词采优美,是建安时期的代表诗人。 注词释义 釜:古代的炊具,相当于现在的锅。 萁:豆秆。 漉:过滤。 豉:豆豉。用煮熟的大豆发酵后制成,有咸、淡两种,供调味用。 古诗今译 煮豆子燃烧的是豆秆,过滤豆豉做成了豆浆。豆秆在灶下焚烧,豆子在锅里哭泣。本是生在同一根上,煎熬我何必这么着急! 名句赏析——“本是同根生,相煎何太急。” 曹丕和曹植本是亲兄弟,曹植少年时就很聪明,能出口成章,下笔千言。曹丕当了皇帝以后,怕曹植威胁自己的地位,想迫害曹植,有一次让曹植在七步之内做成一首诗,否则就把他处死。曹植应声而起,没走到七步就做好了这首诗。曹植把自己比喻成锅里的豆子,把曹丕比喻成锅下面的豆秆。豆子和豆秆本来是生长在同一根上,现在豆秆却在锅下面燃烧,煎熬锅里的豆子,而锅里的豆子无力反抗。曹植用这个比喻,暗指曹丕我与你是亲生兄弟,应该是骨肉情深,真诚相至,但现在却是骨肉相残,表达了内心的悲愤。相传曹丕听了面有惭色。这首诗比喻贴切,用语巧妙,通俗易懂而又含义深长。

BEIJING 2008 OLYMPIC THEME SONG

同一个世界同一个梦想 One world, one dream 梦想是无边的沙漠被海浪一夜间溅绿///世界上所有的哭泣都回放成快乐歌曲///梦想是古老的文字舞动在北京的天空///世界上所有的语言都传说着一次欢聚///One world, one dream///同一个世界同一个梦想///梦想是冰冷的枪弹都散落成花瓣翻飞///世界上所有的角落都同时阳光明媚/// 梦想是我们都能一日千里一跃上蓝天///世界上所有的生命都为自己欢呼助威///One world, one dream///同一个世界同一个梦想///One world, one dream///同一个世界同一个梦想///One world, one dream///同一个世界同一个梦想///One world, one dream/// 同一个世界同一个梦想///One world, one dream///同一个世界同一个梦想///One world, one dream///同一个世界同一个梦想/// One world, one dream LISTEN TO THIS SONG CLICK HERE===>XXXX

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Saturday, November 22, 2008

Imperial, Official and Private Seals.

The role of seals in the Chinese culture can hardly be overestimated. For the last 3,000 years they have been used in official, private, even magic spheres. The earliest examples of seals come from the Shang dynasty (BCE 16-11 c.) from the archeological sites at Anyang. However very little is known about their usage at this early stage, it is only starting from the Spring and Autumn period (BCE 722-481) that we begin to see an increased quantity of seals paired with textual references to them. According to a Han dynasty story, the first seal was given to the Yellow Emperor by a yellow dragon with a chart on its back. Another story says that it was given to Emperor Yao by a phoenix as the emperor was sitting in a boat. In any case, the receipt of the seal signifies the conferral of the Mandate of Heaven. He who has the seal possesses the Mandate of Heaven, in other words, he has been given the right to rule the empire. So when Tang, the first ruler of the Shang dynasty overthrows the last tyrant of the previous Xia dynasty, he seizes the royal seal and thus establishes his power.




Official imperial seal
from the Qing dynasty
(1644-1911) with
inscription in Chinese
(right) and Manchu (left)



Seal of the Handwriting
of Emperor Qianlong
(1736-1795)
Imperial seals

IMPERIAL SEAL:
Until the end of Warring States period (BCE 403-221), there was only one way of calling seals, both official and private, regardless of their use and material. This name was xi, which in the following periods gradually became the designation for imperial seals. According to the History of Tang dynasty, Empress Wu (634-705) issued an order to change the word xi, which was up until then used for imperial seals, to bao (treasure). Apparently, she disliked the fact that the word xi was close in sound to the si (death). But when Emperor Zhongzong resumed the throne in 705, he changed the name for imperial seals back to xi. In subsequent centuries the two words were alternated, depending on the period.
At the time of the Han dynasty, the emperor had six seals, during the Tang he had eight, during the Ming over a dozen, and by the time of the Qing, there were several dozens of official imperial seals. The inscription on these official seals usually refers to receiving the Mandate of Heaven or being the successor of Heaven.
Another type of imperial seal was a seal that the emperor used to indicate that a certain document was written in his own handwriting. Emperor Qianlong (1736-1795) for example, was famous for his literary ambitions, including calligraphy, and had produced a large amount of texts affixed with his seal. When his calligraphy was carved into stone steles, the seal was copied onto the surface of the stone too.
Yet another seal was used by the emperors to appraise and appreciate art. It was customary for collectors and connoisseurs of art to affix their seals on the surface of a scroll of painting or calligraphy. The paintings acquired by the imperial household were affixed by the imperial seal. Many famous paintings from the Forbidden City have seals of generations of subsequent emperors on them.



Official seal of
the Coach Attendant
Eastern Han period
(25-330)



Official seal with
the so-called "nine-fold"
script
Official seals

Official seals have been conferred to officials as a token of their office and authority. These seals were usually small enough to be carried on the official's belt. There were regulations as to the material and shape of the handle of these seals: some had to be golden, some copper, some with a handle in the shape of a turtle, some of a camel. Up to the Eastern Han dynasty (25-330), the color of ink used to affix official seals was regulated depending on the position of the owner, some officials had to use green ink, some purple, some yellow etc.

The calligraphy of the inscription had changed a great deal over the long span of Chinese history. Approaching the Han dynasty, the characters on the seal inscriptions tend to become thicker and more angular. From the Sui dynasty (581-618), they become rounded and thinner, and during the Song and Yuan periods we can witness the spectacular jiudie (nine-folded) script. In the Qing period, most official seals are bilingual with the Chinese inscription on the right side and the Manchu on the left.

Leisure seal








Studio seal





Private seals
Private seals are naturally unregulated, therefore they show the largest variety in content, shape, size, material and calligraphy. Despite of their varied characteristics, they can still be categorized based on their use.
Seals with names, pen names, pseudonyms etc on them were used as a signature by people in their private life. This is how artists sign their works and letters. Chinese literati commonly used a number of different pen names so identifying a person's name from a seal can be a tricky business.
Collector seals were mainly used for the purpose of authenticating pieces of art. Thus a seal of a famous collector or connoisseur would become an integral part of a work of art and could substantially raise its value. Thus in the course of several centuries, some Chinese paintings became covered by a dozen of different seals.
The rest of private seals can be conveniently categorized under the umbrella term "leisure seals". The inscription on these seals is usually a short text which is either a quote from a famous writing or just some saying that the owner thought important. Typical inscriptions are "Respect fate", "Attain wisdom", "Respect", "Use loyalty and humanity in your affairs" etc. One could compare these seals to signatures with a quote at the end of email messages where the people append some saying they consider valuable at the end of their message.

GET YOUR CHINESE SEAL FREE.Generate From Computer For FUN..

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Sample :我爱中国










My Chinese Name On Seal:李逢凯

Chinese Tea Pots Collection
























Friday, November 21, 2008

CHINESE TEA :The Art, The Goodness And The Choice




  • TEA HISTORY:
    The favourite choice of beverage by the Chinese is TEA, comparable to wine is to the French, beer is to the Germans, as cigars are to the Cubans. Tea has formed the essence of Chinese social life and culture for over five millennia. According to legend, tea was discovered by chance by Emperor Shen Nong during the Five Rulers Era. Leaves from a nearby plant fell into a boiling kettle and the aroma of the brew was so enticing that the Emperor could not resist taking a sip. He marvelled at his own discovery and made the drink a national beverage. The plant was what is today commonly known as Camellia, which grows wild in China
    Tea is consumed daily in Chinese at meals by family ,and used to serve guests This beverage is preferably sipped rather than drunk and it is always taken hot.(that is why the cups are small, comparable to drinking copichinno)
    The earliest known book written about proper techniques for brewing fine tea and art of tea-drinking was written during the Tang Dynasty (AD 618-907) by poet Lu Yu.
    Tea is a HOBBY far more than a thirst quencher in China. Many people appreciate the art form of brewing and drinking tea. The tea culture involved is relaxing, allowing people to supposedly forget all their troubles during the process of brewing, serving and drinking tea.
    Making a good pot of tea is not so easy. With tea of the same quality, one can produce different tastes by using different water, tea sets and brewing techniques. Tea of top quality should be brewed with top-grade water. Teaware embellished with artistic designs are needed to complement the elegance of tealeaves. Brewing time, water temperature, and the ratio of water to tealeaves depends on tea quality and category.
    TEA CATOGORY: According to the lengths of fermentation and the level of treatment, tea can be divided into six principal varieties.
    · Green Tea = unfermented, produced by steaming fresh-picked leaves. It turns yellowish-green when brewed and has a delicate taste. Top brands include Longjing in Zhejiang Province, Maofeng of Huangshan Mountain in Anhui Province, and Biluochun in Jiangsu Province.
    White Tea =slightly fermented and achieves a mellow, sweet flavour;
    · Black Tea = fully fermented before firing. It carries a bright reddish colour and yields a hearty-flavoured, amber brew. Black tea, known as "Red Tea" (hong cha) in China, is fermented before baking. The best brands are Qihong in Anhui, Dianhong in Yunnan, Suhong in Jiangsu, Chuanhong in Sichuan and Huhong in Hunan.

    Oolong Tea = indigenous to the Fujian province of China. It is only partially oxidised and produces a cross between green and black tea when boiled. It is bright yellow in colour and has a fruity taste Wulong tea abounds in Fujian, Guangdong, and Taiwan along China's southeast coast.
    Pu'er-type Tea = a variation of green tea, oolong tea or black tea and is fully fermented. When brewed, it turns dark brown;
    Scented Tea = a blend of tea leaves and fresh, sweet flowers. The flowers commonly used for this purpose are jasmine and magnolia among others. Jasmine tea is a well-known favorite among the northerners in China.
    Quality and taste of tea may vary with geographic location and climate, such as weather, the land and the grower Once the characteristics of the tea is known,, one can choose the most appropriate brewing technique suitable to a specific tea to bring out its best quality

    TIPS FOR BREWING TEA:
    1.Know The Nature,Taste and Quality.
    2. Control the amount
    Generally speaking, the standard amount by the professional tea brewer when brewing a pot of tea, is 3 grams of tea brewed with 150 cubic centimeters of water for 5 minutes.
    The ratio of water to tealeaf Generally speaking:
    famous tea or top-grade tea requires a ratio of 50:1,
    ordinary black, green, white and scented tea 75:1.
    The ratio of water to Oolong is 25:1.
    3. Tea sets and water
    Other than the tealeaf's shape, color, scent and taste but also to the teapot's quality and artistic design to set off the elegant tealeaf. Generally, a big teapot is chosen when one wants to satisfy thirst while a small pot is used when one desires to taste and appreciate the tea.
    Tea of top quality should be brewed with top-grade water to bring out its best. Longjing Tea (Dragon Well Tea) and Hupao Spring (Tiger Spring) are known as the two superb products of Hangzhou City. Even though the tea-brewing water deserves careful study, one should bear in mind the actual condition when making tea. Water, which reaches drinking standards and will bring out the best of tea, can be chosen to make tea. If conditions allow, one can use natural spring water or lake water or river water, which is a better choice for sure.
    4.Water and Temperature
    Generally, people use boiled water to brew old tealeaves, while cooling down the boiled water a little bit to brew tender tealeaves. For example, top-grade green tea and some famous kinds of tea, which should be picked when they are tender, cannot be brewed with boiling water. So one should wait until the water temperature cools down to about 80 degrees Celsius. In this way, the tea will have clear water, a pure scent, fresh taste and brightly-colored leaves.
    5.Brewing Tme
    Generally, brewing time should be short for those tender and strongly-scented tealeaves of a large amount, while a long brewing time is required for coarse and strong-tasting tealeaves of a small amount. For those who like drinking strong tea, its better to brew the tea for a longer time; for those who prefer a weaker taste, its better to shorten the time.
************************************************************************************
A Traditional Chinese Tea Ceremony preformed to show you the process of enhancing the flavor and smell before drinking the tea.

In the video you will see how to wash the tools and cups, keep them warm and to get the best flavor out of the tea leafs.

Once the tea is ready for drinking, it is poured firstly into a tall glass which is than covered by a Chinese tea sip cup and turned over.

Satisfy your sense with smelling the tea, and sip the pure quality of the tea. [TEAPOTMAILL]











The Art Of Drinking Tea
Yum cha, or "tea lunch," is a treat for the entire family. Many Chinese families reserve Sunday mornings for this outing. It is not only an opportunity to savor the delights of dim sum, but to visit with friends as well.
The Chinese call the little delicacies served at tea lunch dim sum, which translates as "touching your heart." And that indeed is what these small morsels do. The advantage of sampling them at a teahouse is the great variety available. It may take you several visits to determine your favorites. There are steamed shrimp and pork dumplings, deep-fried egg rolls and taro-root dumplings, green peppers with shrimp filling, and on and on.
Dim sum is based on Cantonese dim sum, it is all good at color, fragrance, taste and shape, its characteristic is that the ingredients used are of best quality and plentiful, variety is numerous, style is novel, tastes are various, it suits the needs of every eater and four seasons.
The first step in yum cha is the selection of your tea. The waiter will ask you for your choice, and you might take this opportunity to try a variety you haven’t tasted before, such as loong jaing (dragon’s well), po nay, jasmine and so on.
There is no need to ask for a menu. The food will come to you on carts or on trays. Some items are on plates, some in metal or bamboo steamers; each serving contains 2 to 6 pieces, depending on the item. There are four main groups of food from which to choose. The first is made up of steamed dishes like shrimp or pork dumplings and pork buns. The second group is the variety group, such as parchment chicken, pickled mustard greens and duck or chicken feet. The third classification covers deep-fried items: egg rolls, rice rolls, pork triangles and others. The fourth group is comprised of sweet items like sponge cake, coconut jelly, and delightful custard tarts.
[Courtesy www.chinesefood.org/ ]
_______________________________________
The Chinese Art of Tea Drinking
(Traditional Chinese Culture in Taiwan: Tea)
Wherever Chinese go, the custom of drinking tea follows. The Chinese were the first to discover the tea leaf, and have drunk tea for uncounted ages. When you arrive in the beautiful island of Taiwan, you may see some elderly gentlemen seated in twos and threes, perhaps in a temple up some old street. They may be leisurely gathered around a simple but attractive teapot about the size of a fist, each holding a small cup, mixing chat with drink. This is the traditional Chinese "old men's tea" ceremony (lao-jen ch'a). While strolling down the bustling streets of metropolitan Taipei, your nose might also lead you to a "tea art" shop, identified by a large sign with the Chinese character for "tea" (ch'a) on it. If the prospect of a tea-tasting experience intrigues you, an expert on the beverage will initiate you in the basics of "kung fu tea," or the traditional tea-steeping and drinking ritual.
Tea is an indispensable part of the life of a Chinese. A Chinese saying identifies the seven basic daily necessities as fuel, rice, oil, salt, soy sauce, vinegar, and tea. The custom of drinking tea is deeply ingrained in almost every Chinese, and has been for over a thousand years. During the mid-T'ang Dynasty (618-907 A.D.), a man named Lu Yu entered the Buddhist monkhood early in life, but returned when older to secular life. He was later best known for summarizing the knowledge and experience of his predecessors and contemporaries into the first compendium in the world on tea--the Tea Classic (ch'a Ching). This work helped to popularize the art of tea drinking all across China, making avid tea drinkers of everyone from emperor and minister to street hawker and soldier. Even the neighboring countries of Korea, Japan, and Southeast Asia came to adopt the tea drinking custom.
Chinese were the first to discover tea.
In the early 17th century, the Dutch East India Company introduced Chinese tea for the first time to Europe. By the mid-17th century, afternoon tea had become a standard ritual of the British nobility. It is interesting to note that the two different pronunciations for "tea" most common in languages that borrowed the word from Chinese-cha and tee-originate from different dialects of Chinese. Languages of countries that once imported the leaves from the north of China, such as Turkey, Russia, and Japan, adopted some variation of the sound cha, such as chay, chai, or chya. Countries on the southern maritime lines of China, such as Spain, Germany, and England, borrowed the word in the forms of te, Tee, and tea respectively, based on the southern Chinese pronunciation.
Tea is made from the young, tender leaves of the tea tree. The differences among the many kinds of tea available are based on the particular methods used to process the leaves. The key to the whole process is the roasting and fermentation. Through fermentation, the originally deep green leaves become reddish-brown in color. The longer the fermentation, the darker the color. Depending on the length of the roasting and degree of fermentation, the fragrance can range from floral, to fruity, to malty.
Tea that has not been fermented is called "green tea." Tea steeped from green tea leaves is jade green to yellow-green in color, and gives off the fragrance of fresh vegetables. Examples of green tea are "Dragon Well" (Lung-ching) and "Green Snail Spring" (Pi-lo-ch'un). The Chinese call tea that undergoes full fermentation "red tea" (hung-ch'a); in the West it is known as "black tea." Tea made from black tea leaves is reddish-brown in color and has a malt-like aroma. Oolong, or "Black Dragon" (Wu-Lung) tea is an example of a partially-fermented tea. This tea is unique to China, and Taiwan is one of its most representative areas of production.
Oolong tea comes in three degrees of fermentation: lightly fermented, moderately fermented, and fully fermented. The identifying features of lightly fermented Oolong tea, such as Paochung, are a full aroma, clarity, and a golden color. Moderately fermented types such as "lron Buddha" (T'ie-kuan-yin), "Narcissus" (Shui-hsien), and "Frozen Peak" (Tung-ting), have a brown color, a full "mature" flavor that appeals more to the sense of taste than that of smell, and a vaguely sweet aftertaste. Tea infused from moderately to heavily fermented tea leaves like "White Hair" Oolong (Pai-hao Wu-lung) has a red-orange color and a fruity aroma.
To make a good pot of tea, special attention must be pald to the quality of the water, water temperature, the amount of tea leaves used, and the type of teapot. Soft water (water with a low mineral content) that is clear and fresh is required to steep tea; hard water should by all means be avoided. The correct water temperature varies from tea to tea; for most fully fermented and moderately fermented kinds it should be near boiling (100 or 212); however, it may be low as 90 (194) or less for lightly fermented or green teas.
"Cultivating teapots" through repeated use is a popular and refined pastime in Taiwan.
The proportion of tea leaves to water also depends on the kind of tea leaves used. The teapot may be filled from one-quarter to three-quarters full with tea leaves, depending mainly on how tightly curled the tea leaves are as a result of the rolling and roasting processes. The teapot is then filled with water. Steeping time starts at one minute, but varies from tea to tea. The time required for subsequent brews from the same leaves must be proportionally lengthened. The best kind of teapot to use for most fermented teas is a purple clay ceramic pot. The size of the pot should be in correct proportion to the size of the cups. Ideally, the cups should have white interiors, to facilitate accurate assessment of the color of the tea.
People enamored of tea drinking also usually enjoy the beauty and feel of teapots. Small teapots are used to steep tea (in the "kung fu" steeping method) in most homes in the Republic of China today. This particular method has been passed down to the present day from the days of Ming Dynasty Emperor Shen Tsung in 16th century China, so it boasts a 400-year history. The full aroma and sweetness of the tea can be brought out when using a small teapot to steep tea. During the Ming (1368-1644) and Ch'ing (1644-1911) dynasties, the purple clay ceramic teapots of Yihsing, Kiangsu were the most famous. Any pieces made by a master potter are sought after everywhere, and are worth their weight in gold. While master potters in the Republic of China continue to produce traditional purple clay ceramic teapots, they have also developed a number of creative new teapot designs which have received enthusiastic public response. Collecting teapots has become a fashionable pastime.
Tea is China's national drink. Tea contains vitamins, tea derivatives, essential oils, and fluoride. It is a diuretic, attributed with the properties of improving the eyesight and increasing alertness, so Chinese believe that frequent tea drinkers enjoy an increased life span. Its medical properties and benefits to the human body have in fact been scientifically proven, and tea has come to be generally recognized as a natural health food.
Tea is a cash crop in Taiwan.
Tea is a cash crop in Taiwan, an agricultural product that is a source of foreign exchange earnings. Specialized tea shops all over the island continue to actively promote the art of tea drinking. New style "tea art houses" with elegant, classical interiors have quickly become a common sight around the island. Each local area also holds its own tea-tasting competitions, attracting the participation of large numbers of tea farmers, tea merchants, and tea connoisseurs. The price of any tea that is designated as a superior grade in one of these competitions immediately soars. This feature gives tea competitions extra appeal and vigor. The custom of tea drinking has become part of a sophisticated spiritual life; and the "tea art" spirit, which reveres nature and knows no bounds, is just like Chinese interpersonal relations : warm and mellow.
________________________________________
The Art of Tea Drinking
By Olivia Yang, San Jose, California

The Chinese people are without a doubt the ones who best understand the nature of tea. Tea has a long history over 2,000 years old, and is a common thread running through our culture. Tea drinking has become a form of artistic and intellectual expression in Chinese culture, and is rich in tradition. Many relationship with tea, though of superficial origins, grew more and more profound over time. The significance of tea began to assert itself in the Tang and Song Dynasties. It was during this time that the art of tea was born. The Tea Classics, written by Lu Yu during the Tang Dynasty, helped to elevate tea drinking to a high status throughout China.
It was somewhere between the Tang and Song Dynasties that the custom of tea drinking was brought to Japan, which readily adopted the Chinese custom. But there were, and still are, differences between the Japanese and Chinese interpretations of the art of tea drinking.
Chinese people tend to view tea drinking as a natural form of enjoyment, unlike the Japanese, who approach the concept in a very strict and ritualistic fashion. In spite of its popularity throughout the ages, the Chinese have never elevated tea to the god-like status it enjoys in Japan. Rather, tea is something one drinks after a meal; it is merely a part of one's life. For a Chinese to say anything more of tea than this would be to misunderstand its purpose, which can be anything but to be worshipped. The attitude Chinese take toward tea drinking is in many ways symbolic of their relatively balanced position towards different attitudes and behaviors. One could say that in the Chinese interpretation of the art of tea, one can find the source their open mindedness.
But it wasn't until the Song Dynasty that tea drinking really became in vogue. Even the Emperor indulged in this new and wonderful custom, which subsequently drew tea-growers to the capital every spring to pay tribute to the Son of Heaven. The Emperor gave tea as a gift to those worthy of the honor, which not only helped increase the drink's popularity, but also helped spread elevate its value. Books, poems, and paintings about tea became increasingly popular.
With the passing of the Yuan, and the start of the Ming and Qing Dynasties, the technology of tea production was constantly being improved; not only in an effort to enhance its flavor, but also to further simplify its production. By this time, tea houses were popping up all over the country. Tea-drinking establishments could be found at any public gathering place or point of interest; temples, palaces, even famous mountains had their respective tea vendors.
Li Ri Hua, a Ming Dynasty scholar, once said: "One should clean out a room in one's home and place only a tea table and a chair in the room with some boiled water and fragrant tea. Afterwards, sit salutarily and allow one's spirit to become ranquil, light, and natural." Li Ri Hua used tea drinking to calm his spirit and clear his mind. He practiced the art of living naturally, avoiding outside influences.
During the same period, a man by the name of Luo likened the drinking of tea to a spiritual release, unique to every individual. It was people like Luo who cultivated the artistic conception of tea, which represents the Chinese way of turning the mundane things in life into ones of higher meaning.
Though its history is indeed lengthy, the art of tea drinking is not without competition. The introduction of coffee by the West, along with its own culture, is believed by some to be destroying the virtues of tea drinking in the modern age with slick advertising that promotes outside values and life-stles. Now, coffee houses in Taiwan outnumber their tea-peddling counterparts, driving them slowly out of business. Even though the quality of Taiwanese tea has improved over the years, tea drinking simply cannot compete any longer.
Over the last few years, through the efforts of people who care deeply for the culture and history of tea, various tea associations have been founded. This, along with the publication of many books and articles on the subject, has begun a tea revival of sorts. But we must be careful not to let the art of tea drinking become some complex concept that is difficult to appreciate or to understand. Only by returning to the old principles of simplicity and universality can we hope to see the art of tea regain its popularity or old.
[courtesy: www.hanwei.com/culture]

Interesting facts about tea
All teas come from the plant Camellia Sinensis.
All teas that are classified under the six main types of tea that is. It does not include herbal teas or other teas that do not include the real tea leaves. This plant is rich in antioxidants which have been shown to fight aging.
It is an interesting fact that the English tea and the Chinese Oolong or the Japanese green teas all come from the same plant. However, they taste different because of the differences in the manufacturing process.

An introduction to Japanese tea
In Japan, only green tea is grown, brewed and drunk. They are consumed in every day life or during elaborate Japanese tea ceremony.
The most high class tea from Japan is Gyoku ro from Shizuoka prefecture. This is a type of green tea. To non-Japanese drinkers, the tea may taste a little strong due to the seaweed taste in it. This type of tea is used during the Japanese tea ceremony and is in the powder form. The tea powder is green in colour and has a staining effect. Thus, it can be used to dye clothes and garments to produce beautiful green clothing or textile.
Other ordinary Japanese tea is ryoku cha. It is typically from Yame from Fukuoka, Shirancha from Kagoshima, Shizuoka teas.

Location of Tea gardens in China
The location of tea gardens in China are found from Central to SouthernChina.
In the Central and Southwest of China lies the tea growing regions of Sichuan, Guizhou and Yunnan.
In the central to Southeast part of China lies Hubei, Anxi, Jiangsu, Zhejiang, Jiangxi and Hunan provinces
In the far Southeast region lies Guangxi, Guangdong, Fujian, Taiwan and Hainan regions of tea-growing.
Finally in central China belt, there is the Henan region.
Read about the top ten tea producing regions.

Oolong
Oolong is semi-fermented. It is grown specially in the southern regions of China like Taiwan, Guangdong and Fujian. One of the most famous tea regions in Fujina is Anxi. This is where one of the founders of our website originted from. His father was a tea farmer from Anxi.

There are 11 main types of Oolong. Japanese too love Oolong tea. They buy them in prepared containers and these are processed tea. Oolong is also a favourite drink amongst Southeast Asians. Very often, the tea is consumed together with Cantonese style dim sum or Hokkien/TeoChew style Bak kut teh (a dish of pork stewed with spices like pepper, cloves, nutmeg etc.).
Some westerners feel that Oolong is bitter. However, others feel that it leaves a sweet aftertaste after drinking it...
Frank Yip's Articles On Chinese Tea
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Thursday, November 20, 2008

CHINESE Traditional BRUSH PAINTING

Translation: Grace Of Music,Writting and Painting Arises From Pure Art, True Feeling Creates Style Of Excellecy


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Starting around 4000 B.C. traditional Chinese painting has developed continuously over a period of more than six thousand years. Its growth has inevitably reflected the changes of time and social conditions. In its early stage of development, Chinese painting was closely related to the other crafts, from pottery to the decorations used on the bronzes, carved jade and lacqerware.
Following the introduction of Buddhism to China from India during the 1st century A.D. and the consequent carving of grottoes and building of temples, the art of painting religious murals gradually gained in prominence.
The range of subject matters dealt with in figure painting was extended far beyond religious themes during the Song dynasty(960-1127),. Paintings of historical character and stories of everyday life became extremely popular. Techniques were also further refined.
Landscape painting had already established itself as an independent form of expression by the 4th century. Then gradually developed into the two separate styles of “blue-and-green landscapes” and “ink-and-wash landscape”. The blue-and-green landscape used bright blue, green and red pigments derived from minerals to create a richly decorative style. The ink-and wash landscape relied on vivid brushwork and varying degrees of intensity of ink to express the artist's conception of nature, and his own emotions and individuality.
Flower-and-bird painting was separated from decorative art to form an independent genre around the 9th century. A great many artists painted in this genre during the Song dynasty and their subject matter included a rich variety of flowers, fruits, insects and fish. Many of the scholar painters working with ink and brush used a great economy of line. They produced paintings of such things as plum blossoms, orchids, bamboo, chrysanthemums, pines and cypresses, using their subject matter to reflect their own ideals and character.
Modern painters have often mixed several colors on one brush or mixed their colors with black inks. As a result, they have obtained more natural and richly varied colors. Such techniques have been widely adopted and further developed in the contemporary period.
Artistic Character and Techniques
One of the important factors contributing to the evolution of the distinctive style of traditional Chinese painting has been the close relationship between the materials used and their influence on artistic forms and techniques.
Chinese Brush
First, there is the Chinese brush. Though similar to the brush used for watercolor painting in the West, it has a finer tip suitable for dealing with a wide range of subjects and for producing the variations in line required by different styles. Since the materials used for calligraphy and painting are essentially the same, developments in calligraphic styles and techniques can also be used in painting.
Brush Techniques and Strokes
The ancients used the expression yu pi yu mo(to have brush, to have ink). These show the significance of the meaning for the two terms pi(brush) and mo(ink).The brush techniques so much emphasized in Chinese painting include not only line drawing but also the stylized expressions of shade and texture (cunfa) and the dotting methods(dianfa) used mainly to differentiate trees and plants and also for simple embellishment.
The brush strokes give the painting rhythm and beauty and depict the subject's outward and inner qualities. At the same time, they reveal the individuality and style of the painter himself.
Type of Painting Brushes:
· Hsieh chao pi: Crab claw brush, large and small sizes
· Hua jan pi: brush for painting flowers
· Lan yu chu pi: brush for painting orchids and bamboo
Brushes used for writing:
· T’u hao pi: rabbit's hair brush
· u ying pi: Hunan sheep's hair brush
Chinese Ink
Second, there is the i. Ink has been used in calligraphy and painting for over two thousand years. When the ink cake is ground on the painter's stone slab with fresh water, ink of various consistencies can be prepared depending on the amount of water used. Thick ink is very deep and glossy when applied to paper or silk. Thin ink appears lively and translucent. As a result, in ink-and-wash paintings it is possible to use ink alone to create a rhythmic balance between brightness and darkness, and density and lightness, and to create an impression of the subject's texture, weight and coloring.
Paper and Silk
Third, there is paper or silk. Chinese painting may be done either on Chinese paper or silk.
Chinese Paper
The original paper(around 100 AD.)was made from many different materials including pulp, old fishing nets and bark. Modern paper is often machine made. It is classed in degrees of weight and amount of size used. The paper is very absorbent and the amount of size in it will dictate the quantity of ink used for strokes on the paper. Different paper produce different results; some are rough and absorb ink quickly like a sponge, others have a smooth surface which resists ink. Chinese paper is usually known as rice paper in English.
Chinese Silk Before painting on silk, the silk should be treated with alum and glue before use. This method makes silk less absorbent than paper. Brushstroke is best shown on paper. Because of this reason and the paper's variety of texture and finish, paper quickly became favored by artists and calligraphers.
Chinese Color
Fourth, there are the colors. There are differences in the use of color between Chinese painting and modern western painting. Chinese painting aim is not to express the various shades of color of the subject in relation to a fixed source of light, but to express the characteristics of the different subjects.
For example, the adding of traces of brown or green to rocks, trees, leaves, grass and moss in a painting is used to reinforce the feeling of a particular season or state of the weather.
Composition and Space
Fifth, there are composition and space. Since the creative requirements of Chinese painting do not demand strict adherence to reality or to a particular angle of view or source of light, the painter has complete freedom in terms of artistic conception, structural composition and method of expression. To give prominence to the main subject, it is quite permissible to omit the background entirely and simply leave it blank. At the same time, since the sizes and shapes of the spaces in the painting are different, the very absence of content can itself create rhythm and variety. Sometimes the variety and balance created in this way is further enriched by the addition of inscriptions in the empty space.
Chinese landscape painters’ aim is to depict the familiar mountains and rivers of China from the perspective of nature as a whole and on the basis of their understanding of the laws of nature. In artistic conception and structural composition, most landscape paintings create the impression that the scene is viewed from high in the air, as if seen through the eyes of a bird.
With flower-and-bird paintings, sometimes a single flower hangs as if suspended in space, or the flowers and plants of different seasons appear together. Explained by one of the Ming painters, Wang Fu(1362-1416), as “likeness through unlikeness” and Qi Baishi(1863-1957) as “subtlety of a good painting lies in its being alike and yet unlike the subject” Chinese painters attach great importance to reality, science, space and time and yet manage to disregard them at the same time. The laws of these things must come second to the requirements of artistic creation and should not become shackles that bind artistic expression.
Seal and Calligraphy
One of the distinctive characteristics of Chinese painting is the use of inscriptions in poetry of calligraphy and of special seals as part of the painting itself. This was a major contribution made by scholar painters. Its significance lies in its ability to express the theme and artistic conception of the painting more clearly and deeply while, at the same time, giving great insight into the artist's individuality, emotions and views on art and life. In ink-and-wash paintings, the bright red seal adds a final touch of beauty. When preparing the inscription and seal, therefore, the Chinese painter, in addition to considering their content, has always given great thought to the placement, length and dimensions of the inscription and the position of the seal on the painting.The simplest inscription consists of the artist's name and the date. Sometimes the inscription could include the occasion for the painting and the name of the person for whom the painting was done. It could be about the subject and style of the painting. Quite often the artist might include a piece of poetry or a literary allusion. These are all followed by the artist's own seal.The seals can be carved in stone. It can contain a name, poetical saying, a design or symbol which has a connection with the painting. The seals are pressed into a pot or tin of cinnebar paste, a scarlet red color, and are impressed onto the painting. The paste contains mercuric oxide, ground silk and oils. It required a careful stamp as it is rather permanent. When using red seal on a monochrome painting, it is said to be "adding the eye to the dragonFOR MORE ENTER HERE (click)==>XXXXXX

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